The Rise of Wireless Audiophilia

Assuming Apple do the Apple thing and rid the next iPhone of its headphone jack, the bluetooth headsets and earphone market is going to explode. To be sure, hitherto products have been unsatisfying for audiophiles. Just over the horizon is Lear’s BTC-01, basically a Bluetooth amp/DAC into which you plug an earphone of your choice. Forget Astrapi. Your phone will be a wireless music server. Damn.

Of course, the BTC needs to be good. It needs to keep noise down, and output the right current into earphone loads. It needs to connect great signal from its DAC to its amp section. If it does all those things right, it has the potential to equalize the playing field among devices. Imagine, wireless stereo or balanced audio from your favourite earphones and favourite phone, tablet, or player. Leave your Mojo-Kai at home.

I’m certainly not a cable guy, but I’m excited. Decisions from big players like Apple challenge the market, open innovative cash streams, and invigorate apathetic market segments.

In preparation, I’ve been listening to Nuforce’s BE6i. It is nicely sized, but has a ribbon cable (which I dislike). It fits well, and if your source has decent Bluetooth, it stays connected pretty well. I can mow the lawn, sweep the house, or mash potatoes without dislodging it. I don’t have to string it through my shirt. No tangling. Not inadvertent ripping. I can make calls with it even if my phone is in another room. There’s little there for my daughter to yank. BE6i is bright with bass pressure just north of neutral. It’s not a typical audiophile earphone, but it sounds good and is easy to use. I’ll be reviewing it later.

Wireless earphones are the future for the mass market. I think our world (if you will allow me to call myself an audiophile) can also benefit from it.

Review Sony headphone – MDR-100AAP / Earphones – MDR-EX750NA

Sony last year launched its range of  headphones and earphones. The 3 launches have price ranging from Rs. 6,990 to 12,990.

Sony headphone

The headphone Sony – MDR-100AAP is priced at 12,990 and comes in 4 vibrant colors. The in-line microphone is compatible with smartphones and it’s unique folding design enables portability. It promises to deliver

The range includes 2 in-ear headphones priced at Rs. 6,990 and Rs. 9,990.

Sony headphone

Sony – MDR-EX750NA

 Sony headphone

The lower priced model, Sony – MDR-EX750AP also come with a range of color options. Both the in-ear headphones, the Sony – MDR-EX750AP and the Sony –  come with a 9 mm driver unit. The EX750NA comes in only black color variant with active noise cancellation. They come with an in-line microphone and give a frequency range of up to 40kHz.  They allow you to enjoy every detail of your music as the artist intended it to be.

Along with these, Sony also launched the Red color variant of its MDR-XB950BT at Rs. 12,990. They are the Bluetooth Wireless Connectivity. With extra emphasis on bass, the headphones

 

Review V-MODA in-ear headphones the V-MODA Zn

V-MODA is known for the range of crowdsourced over-ear headphones it has to offer world wide. Since the past few years there has been news about their in-ear headphones. The wait is finally over! V-MODA has launched its latest pair of in-ear headphones for those who don’t like to deal with the bulky over-ear headphones, the V-MODA Zn. As some of you might have already guessed it, they are made from the metal alloy Zinc.

V-MODA in-ear headphones the V-MODA Zn

Presented as a limited edition pair of buds, the stylish Zn boast a number of features to create an a high-performance in-ear that matches Italian style with “unmatched durability.” Like all V-MODA headphones, even the Zn are built like tank. V-MODA claims that the reason for choosing zinc is because the metal has been found to have some unique characteristics when it comes to construction, hardness, and resonance, thus resulting in a pair of headphones that is not only durable, but can deliver good sound.

Kevlar-reinforced DiamondBack™ tangle free cable system makes them impossible to get into a tangled mess and up to 20x stronger than the industry average. The Zn have been designed to be a go-to choice for every kind of listening, from your daily commute, to your workout routine, and even your late-night musical revery.

V-MODA in-ear headphones the V-MODA Zn

he silicone tips of these earphones have been carefully crafted to block outside noise and keep the bass strong.

V-MODA in-ear headphones the V-MODA Zn

Apart from this, the V-MODA Zn comes with a 3 button mic for iOS devices and a 1 button mic for Android and universal devices. They come with eight pairs of V-Moda’s patented Bliss 3.0 ear tips (XS, S, M and L sizes) to allow for a tight fit and improved noise isolation for any ear size. Other accessories include a small black carrying case and ActiveFlex sport ear hooks, letting you strap in for a good run.

V-MODA in-ear headphones the V-MODA Zn

Specifications

  • Type – Bi-aural in-ear type monitor headphones with remote and mic
  • Speaker Driver – 8mm dynamic-type
  • Frequency Response – 2 – 25,000 Hz
  • Sensitivity – 105 dB @ 1kHz 1mW
  • Microphone Sensitivity – -42dB @ 1kHz
  • Impedance – 16 O
  • Cables: DiamondBack Kevlar-reinforced, 33″ plug to y-connector, 13″ even-length earphone cables
  • Plug: 45 degree, 24k gold plated, 3.5mm stereo
  • Weight – 20.8g

Review: Hifiman Edition S – Portable Fun

Hifiman

Hifiman is one of those brands that keep coming up with new headphones each year. Most of the time that’s a good thing and we’ve seen a lot of great Hifiman products over the last few years like the Edition X, the HE-400s, the EF100, the reference HE-1000 and so much more. They also just released the new HE-350 via Massdrop and the Supermini DAP which we’ll of course be featuring on HFN.

Hifiman, just like Fiio, doesn’t only bring new products to the market and they are also constantly updating or upgrading the existing product line. Examples of these are the HE-400 of which we now also have the HE-400i and HE-400s versions. Not everyone is happy when companies upgrade an existing product and I can fully understand why one wouldn’t be in the best of moods when a new version is released the week after you bought the “old one”. I’m pretty sure a lot of people felt that way when Hifiman a week or two ago announced they were releasing a second version of their Edition X and HE-1000 headphones. From what I hear though, they are working on a kind of upgrade project for the existing customers but that does seem to be open only to a limited number of customers.

Today however we’ll be looking at one of the completely new Hifiman headphones, the Edition S.

Edition S

The Edition S is part of Hifiman’s Premium product line-up and it’s a completely new headphone which goes for $249USD, making it the cheapest Hifiman headphone up to date.

Hifiman Edition S

 

The Edition S is both an open and a closed headphone and switching from one to the other only takes a few seconds. To do this Hifiman uses magnetic “faceplates” that either open up or close the 50mm dynamic driver. Most people think of orthodynamic/planar technology when Hifiman is involved but this actually is a dynamic driven headphone, like the “old” HE-300 was.

The headphone itself is made in Asia but it was designed in Boston, USA.

Hifiman Edition S

 

The Edition S has a frequency response of 15Hz-22kHz with a sensitivity of 113dB and an 18Ohm impedance. That makes it an easy to drive headphone that will work perfectly fine straight out of your DAP or phone, an amplifier isn’t really needed in this case. It only weighs 248g (8.74oz) making it extremely light and portable.

Why an Edition S? Good question. Hifiman already has two easy to drive full size headphones with the $299 orthodynamic  HE-400S and the $269 dynamic driven HE-300 but the unique selling points here are that the Edition S is easier to use on the go as it is foldable and smaller and that it’s both an open and closed headphone. And all of that for only $249.

The portable Edition S is iOS and Android compatible and the removable 1.2m OFC cable comes with a clip, an integrated mic and easy to use controls. Other accessories supplied with the Edition S are: a carrying pouch, the shirt clip, an airplane adapter and a 3.5mm to 6.3mm adapter.

Design, Fit & Comfort

Hifiman decide not to follow their latest design trend and they came with a completely new design. Forget the headband system and oval pads of the HE-560/400i/400S or even the HE1000/Edition x, the new design is smaller, foldable and a lot more portable and light.

To keep the Edition S light (248gr) of course everything had to be trimmed down. The ear pads are a lot smaller now and they’re somewhere in between over and on ear. The small ear cups depending on the size of your ears will go over or partially on your ear. I don’t have big ears and they fit perfectly inside the cup but they are touching the pleather at all times. Those with big ears better consider it to be an on ear headphone.

Hifiman Edition S

 

The pads itself are really soft and they again are hybrid pads made out of pleather on the outside and velour on the inside, as we’ve seen with Hifiman before: pleather + velour on the inside. In theory the asymmetrical ear pads follow the contours of your ear. The depth of the ear pads is limited but my ears aren’t touching the driver. The headband system is the classic one you find on almost all headphones but the weight distribution on top of your head is very good. Because of all these aspects the Edition S is extremely comfortably and long listening sessions of six hours and more are no problem at all. Those with bigger ears might disagree though.

Overall the Edition S does look like it can take a beating but it mostly is made out of matte plastic. Because of the small ear cups and it being foldable I can easily see people using this as a headphone for on the go. Even I have used it on the train ride home and nobody looked at me weirder than they normally do. The Edition S’ cable is removable cable like on all of Hifiman’s recent headphones. The OFC cable is terminated with a 3.5mm plug that goes in to the left ear cup. The cable itself is rather thin but I think it’ll last long. It can be replaced anyway and using aftermarket cables or those of different headphones such as the Fidelio X2 is no problem.

The system used to open or close the Edition S is as simple as it gets: the plastic Hifiman logo plates have a metal square glued to the inside. This plate automatically gets attracted by the dynamic driver’s magnet and installing it takes only a few seconds, if even that. While there is an obvious difference in sound signature, the plates don’t fully “close” the Edition S. Sound and noise will always leak in and out and as a result, my train test wasn’t very positive sound quality and isolation wise.

A Guide to Sennheiser Wireless Headphones For TV

The wireless headphone market is broad, featuring seemingly endless lists of specifications and models. While some of these parameters are subjective or depend on the user’s audio preferences or music choices, others are purely application based. The type of wireless audio signal is one of these application-related specs. Bluetooth audio, a digitally encoded signal, is popular for portable wireless headphones. However, the digital encoding and decoding process creates a delay between broadcast and reception. As such, Bluetooth is ineffective for television viewing, since it creates a delay between audio and video.

RF, or radio frequency, is the alternative wireless transmission method, and it actually predates Bluetooth by about a hundred years. RF refers to electromagnetic frequencies that propagate quickly and effectively through space with few adverse effects to people. It is the oldest and most commonly used method of audio transmission. Radio frequency transmission is useful for TV headphones because it does not elaborately and time-consumingly encode audio, eliminating any sort of delay.

The RF headphone market is somewhat less crowded than the wired or Bluetooth markets. However, it is still sprawling and presents a different assortment of technical specifications and differences. While Bluetooth has a standardized transmission and reception mechanism, with normalized broadcast distances, RF units perform differently depending on parts and physical design. Furthermore, consumers looking for a television headset are bound to be looking for different audio specifications than someone looking for music headphones.

When looking for a pair of TV headphones, there are a number of things to consider. As far as audio quality is concerned, the basic idea is similar to that of music headphones; listeners want accurate sound reproduction. For many listeners this means deep bass, clear highs and prominent mids. Comfort is a necessity of a different magnitude for TV headphones, since they are bound to be used for longer, more regular, stationary listening sessions. Battery life and charging setup are also important factors, due to the intended duration of use as well as the need to fit the headphones and charging station into a home theater environment. Lastly, wireless range is an important factor for listening throughout the house or even in a large room.

While the number of television headphone options is immense, trusted brand Sennheiser features a line of RF headphones that run the gamut of wireless headphone options. Sennheiser is a German company which was founded in 1945. For nearly 60 years, Sennheiser has manufactured headphones. Its lengthy tenure in the industry, as well as its reputation for high quality products, situates Sennheiser as a premier headphone manufacturer. Sennheiser’s RS line has something for everyone, from the casual, relatively inexpensive entry-level option, to the high-end premium offerings.

Let’s take a look at their offerings…

Sennheiser RS 135

Sennheiser RS 135
The 135s replace, and take a step up from, the classic RS 120 model. These headphones use an on-the-ear design with soft and comfortable foam pads that rest directly on the ear. The headband is also very comfortable and can be left on for extended periods without scalp irritation. The headset is also impressively lightweight, an added comfort bonus. The built-in volume controller, saves the user from needing to carry around a remote or having to walk to the television to make an adjustment. These headphones boast an impressive 20 hours of playtime. The 135s use an innovative charging station with metal prongs that make contact with metal plates embedded in the headband. To charge, the user simply has to place the headphones on the base station, which doubles as a charger and transmitter. The base plugs into your sound-producing device’s RCA output to receive the audio. It utilizes an included AC power supply. Most impressively, it advertises a 300ft transmission range which cannot be beat. Sound reproduction is excellent, with deep, resonant bass and crystal clear highs and mids. This pair of headphones is a perfect starter set for those of you interested in wireless headphones for television.

Sennheiser RS 175

Sennheiser RS 175
In many respects, the 175s are similar to the 135s. Like the lower-end offering, the 175s use RF as well as a metal plate contact charging setup. Both headsets feature 300ft wireless range and 20+ hours of battery life. Both are lauded for their high quality sound and feature well-crafted audio components. Otherwise, the RS 175s are distinct from the other model in quality of build, playback style and comfort. The 175 model features a more attractive, professional-looking design. The base is considerably smaller and sleeker. This model ditches the on ear style for an over-ear cup. This allows for more natural sound isolation, and what some may consider to be higher comfort. This model features a bass boost setting as well as a virtual surround sound option. Each of these, as well as the volume control, can be set with buttons on the ear cup. The 175 also introduces Toslink connectivity. Toslink is Toshiba’s fiber optic audio cabling, a simple and inexpensive hi-fi audio solution.

Sennheiser RS 185

Sennheiser RS 185
The RS 185s are nearly identical to the 175s in both design and their set of features. The underlying difference is that the 185s feature an open back design. Open back headphones are known to bring a higher level of clarity and authenticity to playback. There are a couple of drawbacks that prevent all headphones from being open back. For one, external sound bleeds in; these are not sound isolating models. Similarly, the sound being played in the headset will bleed out through the open back. In the home theater setting, it is much less likely that others will be in range to be disturbed by your audio playback. There is also less of a chance for ambient sound in the home setting. With these factors in mind, open-back headphones are ideal for at home listening, which means the 185s are fantastically suited for their intended use. One trade’off between this model and the 175s is the 185s lack of a bass boost or virtual surround sound mode. Overall, the choice between the 175s and 185s comes down to the open back vs the additional audio features. If you are curious about open back headphones the 185s are a great option.

Sennheiser RS 195

Sennheiser RS 195
The RS 195s are a very unique headphone offering. They are a collaborative effort between Sennheiser and Fraunhoffer Institute for Digital Media Technology, who specialize in hearing aid technology. These headphones offer a wide array of settings designed to improve the listening experience of those with hearing loss. A lettered array of settings ‘A’ through ‘G’ isolate and amplify different frequency ranges. Furthermore, the 195s have a speech mode and a music mode, each optimized for their respective use. Additionally, there is a left/right balance setting for individuals with different levels of hearing ability between their two ears. Otherwise, these headphones possess all of the innovative design features of the Sennheiser RS line making them an excellent choice besides their main draw.

These headphones offer an incredibly unique set of features, allowing an oft ignored subset of music, film and television lovers to continue doing what they love. For some, this headset is and will be revolutionary to their media experiences. This technology bridges the ever-developing headphone market with the massive demographic of people with hearing loss. This sort of specific, yet broadly applicable technological innovation is precisely what the audio field needs. It is great to see Sennheiser tapping into this potentially fruitful and revolutionary market.

Review: Dunu DN-2002 – topper sound

Disclaimer: Dunu supplied the DN-2002 for the purposes of this review. I paid nothing for it. Many thanks, Dunu. The DN-2002 is a four-driver hybrid earphone, two of which are dynamic, two of which are balanced armature. The DN-2002 goes for around 350$ USD. You can find out more about it here: Dunu DN-2002.

Mr. T loaned me the DN-2000j with the proviso that should I not return it by September (of 2015) something would transpire that no fool would pity. In the intervening months, my wife bore a beautiful girl. I went to Canada. I bought and sold a Fujifilm GX680 III and picked up a Linhof M679cs in its stead. Who needs pity? I just need more space for storage.

But without having reviewed it, Mr. T’s DN-2000j is in my earphone drawer. And today is all about its successor, the DN-2002.

Not sound

What I love about the DN-2000j I love about Dunu’s latest, but with a different slant. Contrast, speed, power, and a goodly mix of finesse: Dunu’s current flagship has each, and in spades.

What the former flagship lacked, and what Dunu lack in general, is branding. I still dunu about car-sounding monikers like DN-2002. I dunu about cheap boxes, and so-so finish. I do know about brand names. And I dunu like the sound of Dunu.

The DN-2002 arrived with many small blemishes: body scoring, notches, fading typography. It’s a 350$ earphone. I expected better. The DN-2000j holds up better under scrutiny. That said, the DN-2002 is sturdier. It is a garage-finished tank of an earphone.

Its sized-to-match Pelican case is a plus. As are its high-street ear tip selection: four pair of Spin-Fits and one pair of Complys accompany three pair of Dunu-branded ear pieces. There’s a decently built 3,5mm to 6,3mm step-up adapter, a pair of ear guides, and shirt clip equal to the worst you’d find in airline handouts.

Dunu-DN-2002-3

I get why Dunu added a rotation lock to their MMCX mount. But it makes it very difficult to pair the DN-2002 with third-party cables.

At the earphone side, the cable is buttressed by tough stress reliefs. The jack is a sturdy, slim-fitting L-shaped thing with a beautiful, if anachronistic, meshed rubber sheath. Its y-split is similarly outfitted. And then there is the bit between it and the earphone. It’s one of those loosey-goosey extreme diet post-hoc cables. Are there bones in there, grandma? you might ask as you pinch its sleeves. There are, but only barely. As a result, the sleeves sustain a lot of abuse when bent around the stress reliefs. I can’t say how this cable will stand up to constant abuse, but it doesn’t give the best impression. Sleeve material, however is nice. It is supple, mostly silent, and decently resistant to corrosion. The lower half of the DN-2002’s cable should survive your workout.

Despite the bevy of blemishes I listed above, the body is rock solid. Worn with the cable over the ear, it sits pretty solid, and should stay in place during a workout. Worn down, it won’t. Post y-split, its old-woman wire sheaths are noisy. Wear it with the cable over the ear. Each earphone has two ports, neither of which pick up that much wind noise. I’ve since stopped bicycling with earphones in, but I assume that you could road cycle without too much wind interference.

Even Earphones Tuned to Your Audio Profile

Even Earphones Tuned to Your Audio Profile

Bringing more value to wearable technology is the key to making next-generation products more attractive. There are tons of great headphones and earphones out there, and this product category has not seen a lot of innovations in the past decades, except for 3D sound and a few unique designs such as the ORA X that combined headphones with smart glasses.
Customization is also one of the key ingredients to make wearable devices more desirable, without breaking the bank in the process.

A few days ago, I met Danny Aronson, CEO & Cofounder, MeQ, the company behind Even, the “first” earphones tuned to each user’s unique hearing. I have recently seen a similar technology at the HAX Demo Day, with the Nura headphones’ prototype, whose Kickstarter campaign rose over $830K, to date.

Even is very different from Nura because of its earphone form factor and the way it records your audio profile: you do not need a phone to set up your profile, by clicking one button on the volume controller you start the built-in virtual audio guide that tells you the step by step process to create it. The personal audio calibration labeled EarPrint technology by MeQ, can also be performed directly from Even’s website, using regular earphones.

Even Earphones Tuned to Your Audio Profile

The EarPrint technology measures your hearing by playing eight bits of music in each ear, and you will press the “Even” button each time you can hear them at the lowest volume. The software monitors at which volume level you can perceive each frequency, knowing that each person hears different frequencies at different thresholds.

The whole process takes a few minutes, and EarPrint‘s voice, a.k.a. Sarah, tells you exactly what to do, which a great user experience. I tried to listen to various music with my audio profile on and off, and the difference is significant. Even works very well for me since I do not hear bases so well, especially with the left hear, and EarPrint technology compensates wonderfully for that.

Even features a black and a white earphone, so users can easily recognize which one has to be placed in the right or the left ear, which is required to make the custom audio calibration work. The company recommends recalibrating Even every three to six months, as hearing may change over time.

Even Earphones Tuned to Your Audio Profile

Key features:

  • Earphones with Even’s built-in EarPrint sound personalization
  • High-quality, angle-resistant cables with color coding , white = left; black = right
  • In-line controller with personalization, microphone and volume/play/pause button
  • Silicone ear tips in three, interchangeable sizes (small, medium, large)
  • Nylon case
  • USB cable charger
  • Battery life is roughly 9 hours

Ekotek Ekobuds Lifetones Review – Good Huge Sound Under 300 Pesos

Recently, Ekotek just introduced the “Ekobuds Lifetones”, an in-ear monitor with microphone that works on Android, iOS, Windows, and basic music players. Surprisingly priced extremely affordable at 299 Pesos, it aims to bring “good sound” that’s been missing in the super budget category.

Ekotek Ekobuds Lifetones

That’s a great initiative as most “upgrade” to most bad sounding stock earphones often cost a lot. There’s also very few sets that we can call good even in the 1K range for the mainstream market.

Will this Ekobuds Lifetones be the answer to those problems? We got a pair, tested it, and here’s what we found out about this set.

Unboxing / Accessories

Ekotek Ekobuds Lifetones

The Lifetones, as you can see comes in a box package that’s not common on a low priced set. It indicates Ekotek is serious about this product which is a good thing.

Ekotek Ekobuds Lifetones

Upon opening the box, you’ll be greeted by the nice looking IEM (in ear monitors) immediately, 3 sets of eartips with pretty wide bore to fit most ears, and an Ekotek stickers.

It would have been better to see some kind of carrying pouch here and a shirt clip, but for the price, not including them is totally forgivable.

Build Quality / Design

Ekotek Ekobuds Lifetones

Ekotek is an expert in making low priced products feel like close to premium most of the time. The same applies with the Lifetones that has the aesthetics of over 500 Pesos earphones.

Ekotek Ekobuds Lifetones

The body and mic is made out of matte like plastic material that doesn’t feel cheap with no rough edges, the cables are definitely thicker that all budget earphones in the market and there’s nickle plated 3.5 mm audio jack.

Ekotek Ekobuds Lifetones

What I like the best in its build is the thick yet flexible cables that doesn’t have memory wires that prevents damages from constant flexing.

However, there’s some noticeable weaknesses here that’s very forgivable if you take a look at its price. There are no proper flexes and cable cinch for cable management.

In terms of design, Ekotek settled for the traditional barrel type of design for the cone looking chic colored body. We also noticed that there are two vents on ear side that could result to wider soundstage and better bass response.

Apart from that, the rest of the body looks clean and trendy too. For me, I got the “baby pink” colored one which most ladies would actually want or like.

As a whole should be more than durable enough than your regular budget buds or free earphones.

Comfort / Isolation

Given the price, I wasn’t expecting this set to be a comfortable one. Gladly, Ekotek ensured that its sit nicely to most ears that doesn’t have sharp edges. As a matter of fact, I find this one in the above average as long as you get the right tips that fit your ears properly. It can be also worn either straight down or over ear

In my case, the one that fits me the best is the medium sized tips that gave me great comfort. It’s non fatiguing, feels light, and doesn’t irritate my ears even after hours of use.

There’s just some cable noise (microphonics) when worn straight down while walking. To lessen it, I suggest to wear the Lifetones overear.

Isolation-wise, its not the best but fairly decent. Due to its “shallow type” of insertion due to its pretty big body, it cannot isolate to the highest level. Don’t get me wrong though, its isolation is still good enough not to let you hear the person chatting beside you and some loud outside noises.

For me, its also on the more safe level to keep you alert when crossing the streets and etc. However, we’ll still recommend you tor remove your IEM while strolling outdoors to avoid accidents.

Sound Quality

Listening to this set is surprisingly fun. Ekotek kept their promise in saying that this sounds better than its asking price.

It was able to provide me with that warm and smooth tunes that packs emphasis in the bass region. Yes there are times that it overpowers other frequencies, but it has that big loud bass that most people will love. The sub-bass level has great extension too. However, it isn’t that fast and tight when compared with HiFi sets.

Going to the mids, when played with acoustic and vocal centric tracks. You’ll definitely be immersed with this. Nina’s “Through the fire” sounded good and pretty clear. For a low priced set, the clarity is quite acceptable compared to other noisy and muddy sets.

The treble is also found in the more acceptable side. However, the grass isn’t always green. You’ll still hear its lack of refinement here, there’s still some piercing peaks and not that well extended highs.

Anyway, this set is also has a larger than expected soundstage. It’s far from 3D like, but nice enough to treat you with near hall-like to in your front presentation. Separation of instruments and details are also acceptable.

Verdict

Ekotek did something great with the Ekobuds Lifetones. It’s a set that’s super affordable, yet it gives you better than expected tunes. So If you’re looking for a replacement earphones but you can’t go beyond the 500 Pesos mark, the Ekobuds Lifetones is a must check. Why? It won’t be easy for you to get something with this level of build quality, style and sound for the price.

Reviewing The Rock Jaw Kommand Hybrid IEM

Here’s our review of the enthusiast-level Kommand Hybrid IEM. Anyone who knows anything about headphones can tell you the difference between balanced armature and dynamic drivers.Each has its pros and cons, with balanced armature delivering excellent detail and clarity for high frequencies and dynamic drivers offering better bass and warmth for mid-tones. Typically headphones use one or the other but not both. We’re big fans of Rock Jaw’s sub-£50 headphones, especially the Alfa Genus with its interchangeable filters.

As well as their hybrid nature, they also have interchangeable filters just like the Alfa Genus. You get three sets of screw-in components which change the characteristics of the sound. Of course, at £119, these aren’t just ear buds.That’s why Rock Jaw has gone for an 8mm dynamic driver as well balanced armature in its flagship Kommand IEM. IEM is another headphone acronym, which stands for in-ear monitor. They’re just ear buds to everyone else.

These enhance low frequencies but, unlike with the Alfa Genus, not at the expense of treble clarity.By default the silver ‘bass’ filters are installed. If you prefer a neutral sound which doesn’t favour low or highs, the champagne coloured filters might be the ones you use most of the time.

Review Astell & Kern Hi-Fi Audio Players

Astell & Kern Hi-Fi Audio Players

Experience the meaning of the word “audiophile” with this portable stainless-steel Hi-Fi Audio system. The unit supports WAV, FLAC, AAC, MP3, WMA, OOG, and more formats, as well as native support for DSD playback. The 3.31″ AMOLED touch screen display allows you to navigate your music library on the player’s 256GB internal storage or from a microSD card up to 128GB in size. Using dual DAC Cirrus Logic CS4398 chips and balanced outputs for better separation in the left and right channel, the music player is designed to deliver the sound “exactly as the artist had intended.” The device can also be used as a USB DAC, and it comes with a Minerva leather case

Astell & Kern Hi-Fi Audio Players

To complement the music player, Astell&Kern has worked with Beyerdynamic, as well as Jerry Harvey of JHAudio to develop over-ear and in-ear headphones optimized for Hi-Fi listening. Based on the Beyerdynamic TP5 headphones, this A&K version includes the company’s high-efficiency Tesla technology in a closed-back, over-the-ear design with adjustments made to the headphones’ tonality, output impedance, and frequency response to match the AK100 II, AK120 II, and AK240 personal media players. A special equalization setting has been added to the media player for use with the headphones, as well as support for full-balanced output.

Astell & Kern Hi-Fi Audio Players

For listeners who prefer a universal in-ear fit, Astell&Kern has released two additions to their Siren Series of headphones. Inspired by the song “Angie,” by The Rolling Stones, this pair of monitors features eight drivers per side (2x low, 2x mid, 4x high) to deliver a frequency response of 10 to 23,000 Hz with a three-way crossover network using 4th-order slopes and Jerry Harvey’s famous FreqPhase stainless-steel tube waveguide technology. The bass output of the headphone cable can be boosted by as much as +10 dB at 60 Hz with a simple turn of a screwdriver.

Astell & Kern Hi-Fi Audio Players

For an even more detailed sound signature, the “Layla” (based on the song by Derek and the Dominos) features 12 drivers per side (4x low, 4x mid, 4x high) for a frequency response of 10 to 23,000 Hz. The headphones have a carbon fiber body with a “burnt” titanium bezel and a carbon fiber logo insert. They were designed to be used as a mastering reference tool with optimal high-frequency extension and minimal distortion.